Moments of grace like this make "Three Billboards" a deeply human and spiritual film.ĭixon (Sam Rockwell) is a rather dimwitted, racist cop with a violent streak some think he may be gay because he reads comic books and still lives with his weather-beaten, beer-drinking mother, Momma Dixon (Sandy Martin). She sees him with love she is flooded with grace just before she dies because her way of seeing has changed.
In the short story "A Good Man Is Hard to Find," an old, bothersome grandmother realizes that the young criminal who is about to kill her could be her own son and her whole demeanor changes. It's as if the film is populated by just the kind of people with which O'Connor fills her novels and short stories. While it might seem a good man is hard to find in this story, we soon meet a cast of assorted characters among whom are some good, deeply flawed and eccentric men and women. It is the first visual moment of grace in the film. With an utterly tender touch, she flips him over.
If you are familiar with O'Connor's Southern Gothic fiction with its humor of the absurd fleshed out by eccentric characters in a Christ-haunted culture who can and do go to surprising extremes, you can just sit back and watch how grace holds their lives together and transcends the darkness that seems too heavy to bear.Īs Red does some checking on the availability and cost of renting the billboards for a year, Mildred turns toward the window and sees a beetle on his back on the sill, legs flaying in the air. It is A Good Man Is Hard to Find by American Catholic novelist Flannery O'Connor. The camera moves behind young Red Welby (Caleb Landry Jones), who runs the advertising agency, and shows us the book of short stories he is reading. Mildred Hayes (Frances McDormand), a bereaved mother of a raped and murdered teenaged daughter, marches into an advertising office to rent out three decrepit billboards along an old highway near her home.
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